Sula
Toni Morrison's 1973 novel — friendship of Sula and Nel against the Black community of the Bottom, Ohio
Tradition: African-American literature / Black-feminist literature
Morrison's 1973 novel of the friendship of Sula Peace and Nel Wright — the Bottom community of Medallion, Ohio
Sula (1973) is Morrison's second novel, the story of the friendship of Sula Peace and Nel Wright in "the Bottom," the Black community of Medallion, Ohio, from 1919 to 1965. Sula and Nel grow up together, share a moment of childhood violence that haunts them, are separated by Sula's ten-year absence, reunite, and are alienated by Sula's sleeping with Nel's husband. Sula dies young; Nel realises, years later, that she has been mourning Sula, not her husband. National Book Award finalist.
Author
Editions cited
- Sula (Alfred A. Knopf, 1973; Penguin, Vintage)
School Embodiments
Major novel of African-American small-town life as ontological-philosophical setting.
"The Bottom — that high-up community of Black people who lived where God would not, surely, have wanted them to live." (Sula)
Foundational text of Black-feminist literature — female friendship as the structuring relation, not heterosexual marriage.
"We was girls together — and now you say my husband. Girl, girl, girlgirlgirl." (Sula)
Race, gender, class inseparable in the Bottom's constitution and the women's lives within it.
"Sula was a free person, a free woman; she did not have the obligations the others had." (Sula)
Critical-theoretical resonances — community-formation as constitutive, evil as social-functional category.
"Their evidence against Sula was contrived, but their conclusions about her were not." (Sula)
1919-65 historical sweep — the destruction of the Bottom as black-community destruction.
"In 1965 they tore down the Bottom; the white people had finally taken it." (Sula)
Mythic-mystical register — birthmark, water imagery, the recurrence of plague.
"The birthmark was a rose, and it was a tadpole, and it was an ash flower, depending on who was looking." (Sula)
Pragmatist sensibility about communities as practical-functional formations.
"The Bottom held Sula in evil, because it needed her — to clarify itself by contrast." (Sula)
Internal Tensions
Sula has been variously assessed — defenders see major Black-feminist achievement, occasional contest from readers troubled by its refusal of redemptive resolution.
I. Time
The 1919-1965 historical sweep of the novel.
Attributes
II. Space
The Bottom — fictional Medallion, Ohio — as the structuring social-geographical setting.
Attributes
III. Matter
The embodied women — Sula, Nel, Eva, Hannah — whose lives compose the novel.
Attributes
IV. Observer
The communal-narrative voice of the Bottom as proper observer.
Attributes
V. Energy
The communal-erotic energies of the Black-American small town.
Attributes
VI. Information
The narrative-mythic content of the inter-generational story.
Attributes
Personas with the nearest attribute fingerprint
Historical figures whose own classification on the same six-dimensional grid lands closest to this work's. Computed by attribute-agreement on coordinates both address.
Computed school proximity
The work's attribute fingerprint scored against all schools using the same quiz scorer. Useful as a sanity check on the hand-curated embodiments above.
How Sula resolves each dilemma
22 resolved positions across 4 dimensions, including 7 distinctive where the majority of schools go the other way · 35 unaligned.
Each dimension is sorted so minority positions come first. Mainstream positions are folded into an expandable list.
Time · 9 dilemmas · 3 distinctive
Persistence, the future, and the direction of becoming.
3 mainstream positions
Matter · 7 dilemmas, all mainstream
Observer · 37 dilemmas, all mainstream
Information · 4 dilemmas · 4 distinctive
Pattern, memory, and what is preserved or lost.