Song of Solomon
Toni Morrison's 1977 novel — Milkman Dead, the African ancestor Solomon who could fly, the search for the inherited name
Tradition: African-American literature / Magical realism
Morrison's 1977 novel — Milkman Dead, the flying African ancestor Solomon, the search for the inherited name
Song of Solomon (1977) is Morrison's third novel — the bildungsroman of Macon "Milkman" Dead III, who travels from a Northern Black community to his ancestral South in search of family gold, and who instead discovers the mythic story of his great-grandfather Solomon, an African who, according to family legend, flew back to Africa. The novel won the 1977 National Book Critics Circle Award and is widely considered the work that established Morrison among the front rank of American novelists.
Author
Editions cited
- Song of Solomon (Alfred A. Knopf, 1977; Penguin, Vintage)
School Embodiments
Foundational text — African mythological inheritance recovered against deracinating American conditions.
"O Sugarman done fly away — Sugarman done gone — Sugarman cut across the sky — Sugarman gone home." (Song of Solomon)
Black-feminist literary statement — Pilate Dead as the novel's moral centre.
"Pilate was suckling them all — none with her breasts but all from her arms." (Song of Solomon)
Mythic-magical-realist register — the flying African motif as ontological-historical fact within the novel's world.
"If you surrendered to the air, you could ride it." (Song of Solomon, closing)
Strong historicist sensibility — the African-American historical experience traced from slavery to the 1960s.
"Names had a meaning — Macon Dead — the unsupervised slave clerk had given his father's name as Dead and the name had stuck for three generations." (Song of Solomon)
African religious-ontological materials — the Solomon-flight story has Yoruba and other West African analogues.
"The story was always there in our family; my grandfather said he had seen Solomon fly." (Song of Solomon)
Race, gender, class, generation interwoven; the novel does not separate them.
"The community of the Black town held the family in its judgment, and the family lived within the town's account of itself." (Song of Solomon)
Naturalist concern for the material life — the family business, the Southern landscape, the lived particulars.
"The land of Lincoln's Heaven, where Macon's grandfather had farmed, was the land the family had lost." (Song of Solomon)
Internal Tensions
Song of Solomon has been universally canonical; debates concern the proper interpretation of the flying-African ending — literal flight, suicide, mythic apotheosis.
I. Time
The 1931-1963 narrative time; the wider African-American historical sweep.
Attributes
II. Space
The Northern Black community and the ancestral Virginia setting.
Attributes
III. Matter
The embodied Dead family and the African material inheritance.
Attributes
IV. Observer
Milkman as participant-observer-protagonist of his own bildungsroman.
Attributes
V. Energy
The mythic-historical energies of African-American ancestry.
Attributes
VI. Information
The lineage-story and the inherited African song.
Attributes
Personas with the nearest attribute fingerprint
Historical figures whose own classification on the same six-dimensional grid lands closest to this work's. Computed by attribute-agreement on coordinates both address.
Computed school proximity
The work's attribute fingerprint scored against all schools using the same quiz scorer. Useful as a sanity check on the hand-curated embodiments above.
How Song of Solomon resolves each dilemma
44 resolved positions across 4 dimensions, including 32 distinctive where the majority of schools go the other way · 13 unaligned.
Each dimension is sorted so minority positions come first. Mainstream positions are folded into an expandable list.
Time · 9 dilemmas · 5 distinctive
Persistence, the future, and the direction of becoming.
4 mainstream positions
Matter · 7 dilemmas · 4 distinctive
What stuff is — fundamental, relational, or appearance.
3 mainstream positions
Observer · 37 dilemmas · 5 distinctive
Mind, agency, and the knower's relation to the known.