Sun and Steel
Yukio Mishima's 1968 philosophical-autobiographical essay — body, words, action; aesthetic-political synthesis
Tradition: Japanese modern literature / Mishima's aesthetic-nationalist tradition
Mishima's 1968 essay — body, words, action; the aesthetic-political synthesis
Sun and Steel (Taiyō to Tetsu, 1968) is Mishima's philosophical-autobiographical essay on his late-life turn to bodybuilding, martial arts, and the proper-aesthetic-political synthesis of body and word. Treats the proper-philosophical-aesthetic relation of language and embodiment, the dissatisfaction with the writer's purely-verbal existence, the proper-aesthetic-political vocation of physical-discipline and political-cultural commitment. Major source for understanding Mishima's 1970 ritual suicide.
Author
Editions cited
- Taiyō to Tetsu (Kodansha, 1968); English: trans. John Bester (Kodansha International, 1970)
School Embodiments
Major late-Mishima aesthetic-philosophical-autobiographical work.
"The proper-aesthetic synthesis requires both word and body; the writer's purely-verbal existence is insufficient." (Sun and Steel)
Strong existentialist-philosophical framework.
"The proper-authentic existence requires more than literary production; it requires proper-aesthetic-political commitment of body and action." (Sun and Steel)
Strong late-Mishima nationalist-political framework — presented in proper-aesthetic-philosophical register.
"The proper-aesthetic-political commitment requires proper-national-cultural commitment." (Sun and Steel)
Strong romantic-philosophical framework — proper-heroic-aesthetic life against modern-bourgeois life.
"The proper-heroic-aesthetic life is what modern-bourgeois life systematically destroys." (Sun and Steel)
Strong phenomenological framework — the embodied-aesthetic experience as proper-philosophical subject.
"What proper-embodied experience yields is proper-philosophical foundation; the disembodied-verbal philosopher cannot achieve this." (Sun and Steel)
Continued modernist-aesthetic framework.
"The modernist-aesthetic framework remains the proper context for Mishima's late aesthetic-philosophical work." (Sun and Steel)
Internal Tensions
Sun and Steel has been variously assessed — defenders see major aesthetic-philosophical-autobiographical achievement, critics see the proper-aesthetic-political framework that produced the 1970 ritual suicide.
I. Time
The 1968 late-Mishima moment; the period leading to the 1970 ritual suicide.
Attributes
II. Space
The contemporary Japanese setting.
Attributes
III. Matter
The embodied Mishima as proper-autobiographical subject.
Attributes
IV. Observer
Mishima as proper-aesthetic-philosophical autobiographer.
Attributes
V. Energy
The aesthetic-political-philosophical energies of late-Mishima work.
Attributes
VI. Information
The autobiographical-philosophical content.
Attributes
Personas with the nearest attribute fingerprint
Historical figures whose own classification on the same six-dimensional grid lands closest to this work's. Computed by attribute-agreement on coordinates both address.
Computed school proximity
The work's attribute fingerprint scored against all schools using the same quiz scorer. Useful as a sanity check on the hand-curated embodiments above.
How Sun and Steel resolves each dilemma
51 resolved positions across 4 dimensions, including 29 distinctive where the majority of schools go the other way · 6 unaligned.
Each dimension is sorted so minority positions come first. Mainstream positions are folded into an expandable list.
Time · 9 dilemmas · 3 distinctive
Persistence, the future, and the direction of becoming.
6 mainstream positions
Matter · 7 dilemmas · 4 distinctive
What stuff is — fundamental, relational, or appearance.
3 mainstream positions
Observer · 37 dilemmas · 5 distinctive
Mind, agency, and the knower's relation to the known.