Zami: A New Spelling of My Name
Audre Lorde's 1982 "biomythography" — the prose-poetic narrative of her early life and the women who shaped her
Tradition: Black-feminist / Lesbian autobiography
Lorde's 1982 "biomythography" — the prose-poetic memoir of her Harlem-Caribbean childhood, the women who shaped her, the becoming of "Zami"
Zami: A New Spelling of My Name (1982) is Audre Lorde's "biomythography" — a genre she coined for her prose-poetic memoir of her early life. The book traces her Harlem-Grenadan childhood, her parents' household, the Carriacou-Grenadan mythological inheritance, her young womanhood in 1950s Greenwich Village, the Black lesbian community of that period, and the women — mother, sisters, lovers, friends — who shaped her becoming. "Zami: a Carriacou name for women who work together as friends and lovers."
Author
Editions cited
- Zami: A New Spelling of My Name (Persephone Press, 1982; Crossing Press, 1982; The Crossing Press Feminist Series)
School Embodiments
Foundational Black-feminist memoir — the genre Lorde calls "biomythography."
"'Zami' — a Carriacou name for women who work together as friends and lovers." (Zami)
Major contribution to Black autobiographical-radical tradition — Harlem-Caribbean experience articulated from within.
"My mother, my mother — Carriacou woman, taken to Harlem, taken from the islands." (Zami)
Canonical lesbian-of-colour memoir; foundational to queer-theoretical canons of identity-formation.
"I have always wanted to be both man and woman, to incorporate the strongest and richest parts of my mother and father within / into me." (Zami)
Foundational for intersectional autobiography — the inseparability of race, gender, sexuality.
"There were no white women in my New York; we were all of us colored women in that bar, even the white ones." (Zami)
Caribbean-diasporic experience — the Grenadan inheritance as ontological resource.
"Grenada — the home that was never my home and was always my home — gave me names I had not known I needed." (Zami)
Mythopoeic register — the Carriacou-Grenadan mythological inheritance integrated into autobiographical-narrative.
"My mother bequeathed me names — Mawulisa, Yemoja — that I would only later understand were the names of survival." (Zami)
Internal Tensions
Zami invented a genre — the "biomythography" — that has since been widely emulated; its centring of erotic and racial-political experience together has remained durable.
I. Time
The 1934-1959 first-quarter-century of Lorde's life, narrated in 1982.
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II. Space
Harlem, Greenwich Village, Mexico, the Caribbean — Lorde's formative geography.
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III. Matter
The embodied Lorde as proper subject of her own biomythography.
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IV. Observer
Lorde the autobiographer-poet as participant-witness to her own becoming.
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V. Energy
The erotic-political energies of Black-lesbian becoming.
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VI. Information
The narrative-mythological content of the biomythography.
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Personas with the nearest attribute fingerprint
Historical figures whose own classification on the same six-dimensional grid lands closest to this work's. Computed by attribute-agreement on coordinates both address.
Computed school proximity
The work's attribute fingerprint scored against all schools using the same quiz scorer. Useful as a sanity check on the hand-curated embodiments above.
How Zami: A New Spelling of My Name resolves each dilemma
51 resolved positions across 4 dimensions, including 32 distinctive where the majority of schools go the other way · 6 unaligned.
Each dimension is sorted so minority positions come first. Mainstream positions are folded into an expandable list.
Time · 9 dilemmas · 5 distinctive
Persistence, the future, and the direction of becoming.
4 mainstream positions
Matter · 7 dilemmas · 4 distinctive
What stuff is — fundamental, relational, or appearance.
3 mainstream positions
Observer · 37 dilemmas · 5 distinctive
Mind, agency, and the knower's relation to the known.