On Photography
Sontag's 1977 essays founding modern theory and criticism of photography
Tradition: Late-twentieth-century American cultural criticism
Sontag's 1977 essays founding modern theory and criticism of photography
On Photography is Susan Sontag's 1977 collection of six essays (originally in the New York Review of Books, 1973-77) on the medium and meaning of photography. Sontag develops: the photograph as both record and aestheticization; photography as appropriation and surveillance; the relation of image to reality; the moral implications of seeing through the camera (especially of suffering and war); the photographic image as enabling new modes of consumption, memory, and ethics. Foundational for modern theory and criticism of photography (extended in Regarding the Pain of Others 2003) and for late-twentieth-century cultural criticism.
Editions cited
- On Photography (Farrar, Straus and Giroux, 1977; reprint Picador 2001)
School Embodiments
Critical theory of mass culture and image.
"Critical of image culture." (On Photography)
Phenomenology of the photographic image.
"Phenomenology of image." (On Photography)
Humanist concern with suffering and seeing.
"Humanist suffering-seeing." (On Photography)
Pragmatic-realist cultural criticism.
"Pragmatic-realist criticism." (On Photography)
Internal Tensions
Sontag's On Photography: foundational for modern theory and criticism of photography; extended in her Regarding the Pain of Others (2003).
I. Time
The arrested time of the photograph.
Attributes
II. Space
The framed space of the image.
Attributes
III. Matter
The photograph as material trace.
Attributes
IV. Observer
The seer through the camera.
Attributes
V. Energy
Energies of seeing and appropriating.
Attributes
VI. Information
The photograph as cultural information.
Attributes
Personas with the nearest attribute fingerprint
Historical figures whose own classification on the same six-dimensional grid lands closest to this work's. Computed by attribute-agreement on coordinates both address.
Computed school proximity
The work's attribute fingerprint scored against all schools using the same quiz scorer. Useful as a sanity check on the hand-curated embodiments above.
How On Photography resolves each dilemma
48 resolved positions across 4 dimensions, including 3 distinctive where the majority of schools go the other way · 9 unaligned.
Each dimension is sorted so minority positions come first. Mainstream positions are folded into an expandable list.
Time · 9 dilemmas · 3 distinctive
Persistence, the future, and the direction of becoming.