The Expression of the Emotions in Man and Animals
Charles Darwin's 1872 study of comparative emotional expression — the founding text of evolutionary psychology and a major source for the modern study of facial expression
Tradition: Nineteenth-century evolutionary biology / psychology
Comparative emotional expression — Darwin's foundational study of facial expression across humans and animals, with photographs of emotional states
The Expression of the Emotions in Man and Animals (1872) is Darwin's study of comparative emotional expression — the founding text of evolutionary psychology and a foundational source for the modern study of facial expression. The work catalogues emotional expressions across species (anger, fear, joy, surprise, disgust, etc.), traces their evolutionary continuities between humans and other animals, and includes some of the first scientific use of photography (Duchenne de Boulogne's electrically-stimulated facial expressions). Foundational for Paul Ekman's twentieth-century work on universal facial expressions and for contemporary evolutionary-emotional research.
Author
Editions cited
- The Expression of the Emotions in Man and Animals (John Murray, 1872); modern critical edition Paul Ekman (Oxford UP, 1998)
School Embodiments
Foundational text of evolutionary naturalism applied to emotional expression — emotions and their expressions as evolutionary phenomena.
"The same state of mind is expressed throughout the world with remarkable uniformity; and this fact is in itself interesting as evidence of the close similarity in bodily structure and mental disposition of all the races of mankind." (Expression of the Emotions)
Extensive empirical-photographic-comparative evidence — emotional expressions documented across species and cultures.
"I have collected evidence from over thirty correspondents in remote regions, and I have studied animals and infants for the same expressions." (Expression of the Emotions, methodological)
Realist about emotional expressions as objective phenomena with measurable features.
"What appears in the face during anger, fear, joy, surprise — these are not subjective impressions but objectively describable physical patterns." (Expression of the Emotions)
Identifies underlying generative mechanisms — evolutionary continuity, neural innervation patterns — that produce visible expressions.
"The principle of associated habitual movements explains many expressions; the principle of antithesis explains others; the principle of direct action of the nervous system explains a third class." (Expression of the Emotions, the three principles)
Close descriptive attention to felt and observed qualities of emotional expression.
"The full screaming of an infant in anguish... must be described carefully if it is to be understood." (Expression of the Emotions)
Systematic-theoretical framework — three principles of expression — organising the empirical material.
"Three general principles will explain the various movements: the principle of serviceable habits, the principle of antithesis, the principle of nervous discharge." (Expression of the Emotions)
Practical-realist about the actual conditions and limits of observation.
"What I have collected is what observation actually shows; I have not built speculatively beyond the evidence." (Expression of the Emotions)
Internal Tensions
Eclipsed for much of the early twentieth century under behaviourism and cultural-anthropological constructivism; revived by Ekman's 1970s-2000s work confirming Darwin's universal-expressions thesis. Cross-cultural universality remains contested (Russell, Barrett) against the Ekman-Darwinian consensus.
I. Time
Evolutionary time across which emotional expressions developed.
Attributes
II. Space
Geographic-comparative space of human cultures and animal species.
Attributes
III. Matter
Embodied facial muscles, photographed and described.
Attributes
IV. Observer
Darwin as comparative observer; ethnographic correspondents.
Attributes
V. Energy
Neural-muscular energies of emotional expression.
Attributes
VI. Information
Catalogue of expressions; three principles organising them.
Attributes
Personas with the nearest attribute fingerprint
Historical figures whose own classification on the same six-dimensional grid lands closest to this work's. Computed by attribute-agreement on coordinates both address.
Computed school proximity
The work's attribute fingerprint scored against all schools using the same quiz scorer. Useful as a sanity check on the hand-curated embodiments above.
How The Expression of the Emotions in Man and Animals resolves each dilemma
48 resolved positions across 4 dimensions, including 6 distinctive where the majority of schools go the other way · 9 unaligned.
Each dimension is sorted so minority positions come first. Mainstream positions are folded into an expandable list.
Time · 9 dilemmas · 3 distinctive
Persistence, the future, and the direction of becoming.
6 mainstream positions
Matter · 7 dilemmas, all mainstream
Observer · 37 dilemmas · 3 distinctive
Mind, agency, and the knower's relation to the known.