Maria, or The Wrongs of Woman
Mary Wollstonecraft's 1798 unfinished posthumous novel — fictional exposition of the legal and social wrongs done to women
Tradition: English Enlightenment / Proto-feminist fiction
Wollstonecraft's unfinished 1798 posthumous novel — fictional exposition of the legal and social wrongs done to women
Maria, or The Wrongs of Woman (1798, posthumous) is Mary Wollstonecraft's unfinished novel, published by William Godwin after her September 1797 death from childbirth complications. The novel follows Maria, who has been confined by her husband in a private madhouse so he may seize her property; her relationship with another inmate, the literary-aristocrat Darnford; and her servant-maid Jemima, whose lower-class experience of patriarchy supplies the novel's second tier of women's-wrongs material. Companion-fictional work to A Vindication of the Rights of Woman.
Author
Editions cited
- Maria, or The Wrongs of Woman (Joseph Johnson, London, 1798, posthumous, in Posthumous Works of the Author of A Vindication of the Rights of Woman, ed. William Godwin); modern critical eds. Anne K. Mellor and Noelle Chao (Longman, 2007); Janet Todd (Penguin)
School Embodiments
Foundational proto-feminist novel — fictional companion to the 1792 Vindication.
"The world is the prison-house of woman; the marital-legal-social conditions make this prison literal." (Maria, narrative theme)
Continued liberal-political reflection — the legal-political conditions of women as proper political-philosophical topic.
"Liberal principles applied to women would dissolve the legal-social institutions that the novel records." (Maria, narrative theme)
Continued classical-liberal commitments — property rights, contractual freedom, the rule of law as standards by which to measure women's actual conditions.
"What classical-liberal principles promise — secure property, contractual freedom, the rule of law — women in fact do not have." (Maria, narrative theme)
Anticipatory critical-theoretical work — the legal-social-economic conditions of women as systemic-political topic.
"What appears as personal-misfortune is in fact structural-political condition; the proper response is structural-political reform." (Maria, narrative theme)
Proto-Romantic-novelistic register — the embodied-emotional life of the protagonist as proper philosophical-political topic.
"The embodied-emotional life of the protagonist is the proper site of the political-philosophical analysis; conditions are not abstractions." (Maria, narrative theme)
Strong historicist sensibility — late-eighteenth-century English legal-social conditions as historical setting.
"The English late-eighteenth-century legal-social conditions are the specific historical setting the novel records; they are not universal-human conditions but specific-historical ones." (Maria, narrative theme)
Anticipatory existentialist register — Maria's reflective-personal-political self-articulation.
"Maria's reflective articulation of her own situation is the proper philosophical-political work of the novel." (Maria, narrative theme)
Continued late-Enlightenment liberal-religious framework.
"The religious-ethical principles that the novel implicitly invokes are the proper rational-religious framework — though not specifically denominational." (Maria, narrative theme)
Internal Tensions
Maria has been variously assessed — defenders see major proto-feminist novel and proper political-philosophical complement to the Vindication; the unfinished state limits some assessments. Recent feminist-scholarly attention has substantially elevated its canonical standing.
I. Time
The 1796-97 composition period; the late-eighteenth-century English-legal setting; the September 1797 author-death and 1798 posthumous publication.
Attributes
II. Space
England as legal-social-political setting; the private madhouse as proper narrative setting.
Attributes
III. Matter
The embodied women — Maria, Jemima — whose conditions the novel records.
Attributes
IV. Observer
The proto-feminist novel-reader as proper political-philosophical addressee.
Attributes
V. Energy
The political-emotional-narrative energies of the proto-feminist-novelistic work.
Attributes
VI. Information
The narrative content as proper proto-feminist political-philosophical material.
Attributes
Personas with the nearest attribute fingerprint
Historical figures whose own classification on the same six-dimensional grid lands closest to this work's. Computed by attribute-agreement on coordinates both address.
Computed school proximity
The work's attribute fingerprint scored against all schools using the same quiz scorer. Useful as a sanity check on the hand-curated embodiments above.
How Maria, or The Wrongs of Woman resolves each dilemma
48 resolved positions across 4 dimensions, including 9 distinctive where the majority of schools go the other way · 9 unaligned.
Each dimension is sorted so minority positions come first. Mainstream positions are folded into an expandable list.
Time · 9 dilemmas · 5 distinctive
Persistence, the future, and the direction of becoming.
4 mainstream positions
Matter · 7 dilemmas, all mainstream
Observer · 37 dilemmas · 3 distinctive
Mind, agency, and the knower's relation to the known.