Critique of Judgment
Kritik der Urteilskraft — Kant's third Critique, on aesthetic and teleological judgement
Tradition: Modern German philosophy / Kantian aesthetics and philosophy of biology
Aesthetic judgement and teleological judgement bridge the gap between theoretical reason and practical reason
The Critique of Judgment is Kant's third and final Critique, completing the critical system. Part I (the Critique of Aesthetic Judgment) develops the philosophical foundations of aesthetics — the judgement of taste as subjectively universal, the analysis of the beautiful and the sublime, the role of genius in art. Part II (the Critique of Teleological Judgment) addresses organic nature: living beings appear purposive, and while we cannot demonstrate purposes in nature theoretically, we are constrained to judge organisms as if they were designed. The third Critique attempts to bridge the gap between the theoretical reason of the first Critique and the practical reason of the second, and shaped every later philosophy of art (especially the German Romantic tradition) and philosophy of biology.
Author
Editions cited
- Critique of the Power of Judgment (Paul Guyer & Eric Matthews, Cambridge, 2000)
- Critique of Judgment (Werner Pluhar, Hackett, 1987)
- Critique of Aesthetic Judgment (James Creed Meredith, Oxford, 1978; revised by Nicholas Walker, 2008)
School Embodiments
The third Critique completes the critical system. Every subsequent Kantian engagement with aesthetics or with the philosophy of biology works through this text.
"The beautiful is what pleases universally without a concept." (KU §9)
The third Critique's treatment of aesthetic experience and organic purposiveness shaped Fichte, Schelling, and Hegel's aesthetics and philosophy of nature.
"An organism is both cause and effect of itself." (KU §64)
Emerson and the American Transcendentalists read Kant's third Critique through Coleridge and the German Romantics. The doctrine of the sublime shaped nineteenth-century American nature-writing.
"The sublime is what is great absolutely." (KU §25)
Husserl and the phenomenologists engaged the third Critique's analysis of aesthetic experience and its account of the "as if" character of teleological judgement.
"A pure judgement of taste has, as its determining ground, neither concept nor sensation." (KU §16)
Modern philosophy of biology engages the third Critique's claim that purposiveness is a regulative principle of biological inquiry — real for inquiry though not theoretically demonstrable.
"There will never be a Newton of the grass-blade." (KU §75)
Whitehead's philosophy of organism engages the third Critique's biological-teleological framework, developing organic purposiveness into a full metaphysical category.
"In an organism the parts exist for the sake of the whole." (KU §66, paraphrasing)
Liberal Protestant aesthetics has drawn on the third Critique's account of beauty as a "symbol of morality" and the sublime as evocative of the moral law.
"The beautiful is the symbol of the morally good." (KU §59)
Internal Tensions
The relation between aesthetic and teleological judgement — two apparently distinct topics joined in one work — has been disputed since 1790. Kant himself argues they share a common reflective-judgement structure; subsequent readers split between treating them as genuinely unified and treating them as separate inquiries compiled into one volume.
I. Time
Standard Kantian treatment. Aesthetic experience occurs in time; teleological judgement applies to organic development through time.
Attributes
II. Space
Standard Kantian treatment.
Attributes
III. Matter
Organic matter exhibits purposive organisation; mechanical matter does not. The third Critique's distinction between the mechanical and the organic shaped subsequent philosophy of biology.
Attributes
IV. Observer
The Kantian observer of the third Critique is the aesthetic-teleological judger — embodied, plural, capable of disinterested aesthetic appreciation and reflective judgement of nature.
Attributes
V. Energy
Not engaged directly.
Attributes
VI. Information
Aesthetic and teleological judgements are reflective — they bring particulars under universals without determinate concepts. Substantival informational structure of judgement.
Attributes
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Historical figures whose own classification on the same six-dimensional grid lands closest to this work's. Computed by attribute-agreement on coordinates both address.
Computed school proximity
The work's attribute fingerprint scored against all schools using the same quiz scorer. Useful as a sanity check on the hand-curated embodiments above.
How Critique of Judgment resolves each dilemma
51 resolved positions across 4 dimensions, including 22 distinctive where the majority of schools go the other way · 6 unaligned.
Each dimension is sorted so minority positions come first. Mainstream positions are folded into an expandable list.
Time · 9 dilemmas · 3 distinctive
Persistence, the future, and the direction of becoming.
6 mainstream positions
Matter · 7 dilemmas · 5 distinctive
What stuff is — fundamental, relational, or appearance.
Observer · 37 dilemmas · 5 distinctive
Mind, agency, and the knower's relation to the known.