The Presentation of Self in Everyday Life
Erving Goffman's 1959 foundational text of dramaturgical social theory
Tradition: Symbolic interactionism / Chicago School sociology
Goffman's 1959 foundational dramaturgical social theory — life as performance, front stage and back stage
The Presentation of Self in Everyday Life is Erving Goffman's 1959 foundational text — central thesis: social life is structured as dramaturgical performance — individuals perform "selves" in "front stage" interaction situations and prepare-and-relax in "back stage" regions; impression management, role distance, face-work organize interaction. The work is foundational for symbolic interactionist sociology, performance studies, and the broader sociology of everyday life.
Editions cited
- The Presentation of Self in Everyday Life (University of Edinburgh Social Sciences Research Centre, 1956; revised Doubleday Anchor, 1959; Penguin Press, 1959)
School Embodiments
American pragmatist / symbolic interactionist heritage.
"Pragmatist symbolic interactionist." (Presentation of Self)
Realist orientation to social interaction.
"Realist social interaction." (Presentation of Self)
Constructivist orientation to self-presentation.
"Constructivist self-presentation." (Presentation of Self)
Phenomenology of social interaction.
"Phenomenology of social interaction." (Presentation of Self)
Naturalist orientation to social behavior.
"Naturalist social." (Presentation of Self)
Anticipates postmodern performativity.
"Anticipates postmodern performativity." (Presentation of Self)
Engagement with analytic social philosophy.
"Analytic social philosophy." (Presentation of Self)
Engagement with absurdity of social performance.
"Absurdity of social performance." (Presentation of Self)
Internal Tensions
Goffman's dramaturgical theory foundational for sociology of everyday life and performance studies.
I. Time
The interactional time of dramaturgical performance.
Attributes
II. Space
Front-stage and back-stage regions.
Attributes
III. Matter
The embodied performing self.
Attributes
IV. Observer
The audience and performer in face-to-face interaction.
Attributes
V. Energy
Energies of social-performance impression management.
Attributes
VI. Information
Foundational dramaturgical-sociological framework.
Attributes
Personas with the nearest attribute fingerprint
Historical figures whose own classification on the same six-dimensional grid lands closest to this work's. Computed by attribute-agreement on coordinates both address.
Computed school proximity
The work's attribute fingerprint scored against all schools using the same quiz scorer. Useful as a sanity check on the hand-curated embodiments above.
How The Presentation of Self in Everyday Life resolves each dilemma
48 resolved positions across 4 dimensions, including 3 distinctive where the majority of schools go the other way · 9 unaligned.
Each dimension is sorted so minority positions come first. Mainstream positions are folded into an expandable list.
Time · 9 dilemmas · 3 distinctive
Persistence, the future, and the direction of becoming.