What Is Art?
Tolstoy's 1897 'Chto takoye iskusstvo?' — late aesthetic-religious treatise on art as emotional communication
Tradition: Late-Tolstoyan Christian anarchism / Christian-pacifist aesthetics / Russian religious philosophy
Tolstoy's 1897 'What Is Art?' — late aesthetic-religious treatise: art is the communication of feeling in the service of religious-moral brotherhood
Published in 1897-98 (the English translation by Aylmer Maude appeared in 1899), 'What Is Art?' ('Chto takoye iskusstvo?') is Tolstoy's late polemical-aesthetic treatise. Against the aesthetic of beauty and pleasure he sees as dominating European art, Tolstoy defines art as the deliberate communication of feeling from one person to another for the sake of human brotherhood. By this standard most of nineteenth-century European elite art (including, notoriously, much of Tolstoy's own earlier fiction) fails, while folk songs, religious art, and the New Testament parables succeed. The book is the central document of Tolstoy's late-Christian-anarchist aesthetics.
Author
Editions cited
- Chto takoye iskusstvo? (Posrednik, Moscow, 1897-98); English trans. Aylmer Maude, What Is Art? (Crowell, 1899); modern Penguin Classics edition
School Embodiments
Defining late-Tolstoyan aesthetic treatise.
"Art is the communication of feeling from one person to another." (What Is Art?, ch. 5)
Strong Christian-religious framework.
"The highest art communicates the highest religious-moral consciousness of humanity." (What Is Art?, ch. 16)
Christian-anarchist political framework.
"Art in the service of universal human brotherhood." (What Is Art?, conclusion)
Universal-humanist orientation throughout.
"Art unites all of humanity in feeling." (What Is Art?, ch. 5)
Universalist-religious-aesthetic framework.
"The religious consciousness of an age is the test of its art." (What Is Art?, ch. 17)
Critical analysis of bourgeois-European art.
"Most contemporary European art is mere amusement for the rich." (What Is Art?, ch. 8-15)
Internal Tensions
The central document of late-Tolstoyan Christian-anarchist aesthetics; influential on twentieth-century engaged-art traditions.
I. Time
1897-98.
Attributes
II. Space
Yasnaya Polyana.
Attributes
III. Matter
Single aesthetic treatise.
Attributes
IV. Observer
Late Tolstoy.
Attributes
V. Energy
Late-polemical-aesthetic-religious energies.
Attributes
VI. Information
Single book.
Attributes
Personas that cite this work
Personas with the nearest attribute fingerprint
Historical figures whose own classification on the same six-dimensional grid lands closest to this work's. Computed by attribute-agreement on coordinates both address.
Computed school proximity
The work's attribute fingerprint scored against all schools using the same quiz scorer. Useful as a sanity check on the hand-curated embodiments above.
How What Is Art? resolves each dilemma
48 resolved positions across 4 dimensions · 9 unaligned.
Each dimension is sorted so minority positions come first. Mainstream positions are folded into an expandable list.