The Imaginary
L'Imaginaire — Sartre's 1940 phenomenological psychology of imagination
Tradition: French phenomenology / philosophy of mind
The phenomenological psychology of imagination — Sartre's 1940 analysis of imaginative consciousness as the unique mode of consciousness
The Imaginary is Sartre's major early phenomenological-psychological work — the systematic analysis of imaginative consciousness as a distinctive mode of consciousness, neither perception nor pure thought. Building on his earlier shorter work L'Imagination (1936), Sartre develops a detailed phenomenology of the imaginary: the image as an act of consciousness positing its object as absent (in contrast to perception, which posits its object as present), the specific structures of the imaginary (it is unanalysable in the way the perceived is, it cannot teach us anything new about its object, it has a quasi-observation that is not real observation), the role of imagination in emotional life, in dream life, in aesthetic experience. The book is foundational for subsequent philosophy of mind, philosophy of art, and Sartre's own subsequent existentialist framework (especially the analysis of consciousness as nothingness, which is partially developed in the analysis of the imaginary). It has shaped contemporary philosophy of imagination significantly.
Author
Editions cited
- The Imaginary: A Phenomenological Psychology of the Imagination (Jonathan Webber, Routledge, 2004)
- L'Imaginaire: Psychologie phénoménologique de l'imagination (Gallimard, 1940)
School Embodiments
The Imaginary is paradigmatically phenomenological — close descriptive analysis of imaginative consciousness as a distinctive mode of consciousness.
"Phenomenological analysis of imaginative consciousness." (The Imaginary, paraphrasing)
The analysis of imaginative consciousness as the act positing its object as absent prepares the ground for Being and Nothingness's analysis of consciousness as nothingness.
"Imaginative consciousness as positing the absent — precursor to nothingness analysis." (The Imaginary, paraphrasing)
A retrospective relation: contemporary analytic philosophy of imagination (Currie, Stock) engages Sartre's framework.
"Analytic philosophy of imagination engaging Sartre." (The Imaginary, paraphrasing)
A complicated relation: the systematic-philosophical analysis of imagination has rationalist structure, within the phenomenological framework.
"Systematic-philosophical analysis of imagination." (The Imaginary, paraphrasing)
A working psychological realism: real imaginative acts, really distinct from perception, really structured as described.
"The reality of imaginative acts and their distinct structure." (The Imaginary, paraphrasing)
A complicated relation: Sartre's framework is broadly naturalist (no supernatural categories), even within the phenomenological method.
"Naturalist framework with phenomenological method." (The Imaginary, paraphrasing)
A retrospective affinity: testing the analysis against actual examples of imaginative experience has pragmatic-realist structure.
"Analysis tested against actual imaginative experience." (The Imaginary, paraphrasing)
A complicated relation: the analysis of consciousness as constituting its objects has idealist-philosophical structure, mediated through phenomenology.
"Constitutive analysis of consciousness." (The Imaginary, paraphrasing)
A complicated relation: Sartre engages Kantian transcendental philosophy through phenomenological inheritance.
"Kantian transcendental framework, mediated through phenomenology." (The Imaginary, paraphrasing)
A retrospective relation: the analysis of imagination as positing the absent has resonances with the absurd condition of constructing meaning against meaninglessness.
"Imaginative consciousness as constructing the absent." (The Imaginary, paraphrasing)
Continental-philosophical tradition.
Internal Tensions
The Imaginary's relation to subsequent Sartrean existentialism (Being and Nothingness especially) is the central interpretive question. The book has been less widely read than Being and Nothingness but contemporary analytic philosophy of imagination has rehabilitated it as a major phenomenological resource.
I. Time
The temporal structure of imaginative consciousness — distinct from perceptual time.
Attributes
II. Space
The imaginary space — quasi-observational, not real-perceptual.
Attributes
III. Matter
The absent objects posited by imagination as opposed to the present objects of perception.
Attributes
IV. Observer
The imagining consciousness — singular, embodied, active in positing its object as absent.
Attributes
V. Energy
The imaginative energies of consciousness — distinct from perceptual energies.
Attributes
VI. Information
The constituted content of the imagined object; lacking the inexhaustible richness of the perceived.
Attributes
Personas that cite this work
Personas with the nearest attribute fingerprint
Historical figures whose own classification on the same six-dimensional grid lands closest to this work's. Computed by attribute-agreement on coordinates both address.
Computed school proximity
The work's attribute fingerprint scored against all schools using the same quiz scorer. Useful as a sanity check on the hand-curated embodiments above.
How The Imaginary resolves each dilemma
51 resolved positions across 4 dimensions, including 29 distinctive where the majority of schools go the other way · 6 unaligned.
Each dimension is sorted so minority positions come first. Mainstream positions are folded into an expandable list.
Time · 9 dilemmas · 3 distinctive
Persistence, the future, and the direction of becoming.
6 mainstream positions
Matter · 7 dilemmas · 4 distinctive
What stuff is — fundamental, relational, or appearance.
3 mainstream positions
Observer · 37 dilemmas · 5 distinctive
Mind, agency, and the knower's relation to the known.