Symphonia harmoniae caelestium revelationum
Hildegard of Bingen's c. 1150-79 collection of liturgical chants — the largest medieval European song collection by a known composer
Tradition: Medieval German Christian mysticism / sacred music
"The symphony of the harmony of celestial revelations" — Hildegard's c. 77 liturgical chants and songs
The Symphonia harmoniae caelestium revelationum is Hildegard's collection of approximately 77 liturgical chants and songs composed across her mature life. The largest medieval European song collection attributed to a known composer. Chants organised liturgically for various feasts and saints. Musical style distinctive — wider melodic ranges than typical Gregorian chant, longer melismas. The 1980s rediscovery (Sequentia ensemble especially) introduced Hildegard to contemporary audiences; she has subsequently become one of the most-performed medieval composers.
Author
Editions cited
- Symphonia (Barbara Newman, Cornell, 1988/1998)
- Hildegard of Bingen: Symphonia (Sequentia recordings, Deutsche Harmonia Mundi)
School Embodiments
Medieval Catholic liturgical framework.
"Medieval Catholic liturgical framework." (Symphonia, paraphrasing)
Christian Neoplatonic cosmic harmony.
"Cosmic harmony framework." (Symphonia, paraphrasing)
Cross-tradition liturgical-musical theology.
"Cross-tradition liturgical theology." (Symphonia, paraphrasing)
Boethian-Pythagorean music theory background.
"Pythagorean-Boethian music theory." (Symphonia, paraphrasing)
Viriditas framework has cross-tradition indigenous-relational overlap.
"Relational-cosmic framework." (Symphonia, paraphrasing)
Platonic-Timaeus music of the spheres background.
"Music of the spheres background." (Symphonia, paraphrasing)
Cross-tradition musical-mystical framework.
"Cross-tradition musical-mystical." (Symphonia, paraphrasing)
Feminist musicological engagement.
"Feminist musicological engagement." (Symphonia, paraphrasing)
Liberal-theological engagement with Hildegard.
"Liberal-theological engagement." (Symphonia, paraphrasing)
Viriditas engaged by ecological-spiritual thought.
"Ecological-spiritual viriditas." (Symphonia, paraphrasing)
Internal Tensions
Hildegard's music was largely forgotten for centuries; 1980s rediscovery has made her one of the most-performed medieval composers.
I. Time
Liturgical-cyclical time of medieval church year.
Attributes
II. Space
Monastic-liturgical space of community worship.
Attributes
III. Matter
Embodied bodies of singers; material liturgical setting.
Attributes
IV. Observer
Monastic community as worshippers.
Attributes
V. Energy
Energies of liturgical chant; viriditas as cosmic-musical energy.
Attributes
VI. Information
Medieval liturgical tradition through Hildegard's distinctive articulation.
Attributes
Personas that cite this work
Personas with the nearest attribute fingerprint
Historical figures whose own classification on the same six-dimensional grid lands closest to this work's. Computed by attribute-agreement on coordinates both address.
Computed school proximity
The work's attribute fingerprint scored against all schools using the same quiz scorer. Useful as a sanity check on the hand-curated embodiments above.
How Symphonia harmoniae caelestium revelationum resolves each dilemma
51 resolved positions across 4 dimensions, including 9 distinctive where the majority of schools go the other way · 6 unaligned.
Each dimension is sorted so minority positions come first. Mainstream positions are folded into an expandable list.
Time · 9 dilemmas · 3 distinctive
Persistence, the future, and the direction of becoming.
6 mainstream positions
Matter · 7 dilemmas, all mainstream
Observer · 37 dilemmas · 5 distinctive
Mind, agency, and the knower's relation to the known.