The Adolescent
Dostoevsky's 1875 novel 'Подросток' ('Podrostok'), also translated as 'A Raw Youth'
Tradition: Russian realism / Orthodox-Christian existential novel
Dostoevsky's 1875 novel 'The Adolescent' — fatherhood, money, and the search for an 'idea'
First serialised in 'Otechestvennye zapiski' (Notes of the Fatherland) across 1875, Dostoevsky's 'Подросток' ('Podrostok' — The Adolescent, also translated as 'A Raw Youth' or 'A Bad Joke') is his fourth great novel, between Demons (1872) and The Brothers Karamazov (1880). Narrated by the nineteen-year-old illegitimate Arkady Dolgoruky in the year following his arrival in St Petersburg in 1872, the novel weaves three Dostoevskian preoccupations: the absent or weak father (Arkady's biological father Versilov, the elegantly dissipated minor noble; his legal father Makar Ivanovich Dolgoruky, the wandering pilgrim-saint); the Rothschild-style ambition to acquire wealth ('I have my idea — to become a Rothschild,' Arkady declares early; the book is structured around this idea's testing and partial dissolution); and the search for a unifying 'idea' that could make sense of a fragmented life. The novel's plot involves an elaborate intrigue around a compromising letter, the contested affections of Katerina Nikolaevna, the Versilov family's complicated history, and Arkady's first-person attempts to understand both his father and himself. The novel is the first major Russian novel to be wholly narrated by a young protagonist whose voice contains both the events he reports and his unreliable self-interpretation. The character Makar Dolgoruky — Arkady's legal father and a wandering pilgrim — is one of Dostoevsky's principal Russian-Orthodox spiritual-ideal figures, foreshadowing Father Zosima in The Brothers Karamazov.
Editions cited
- Подросток (Otechestvennye zapiski, 1875; book edition St Petersburg, 1876)
- Modern Russian editions in Polnoe sobranie sochinenii (Nauka, Leningrad, 1972-90, vol. 13)
- English trans. Constance Garnett (1916); Andrew R. MacAndrew, A Raw Youth (Norton, 1971)
- Modern English trans. Richard Pevear and Larissa Volokhonsky, The Adolescent (Vintage, 2003) — the standard scholarly translation
School Embodiments
Major Russian-realist novel.
"The everyday Petersburg of 1875 as the novel's social ground." (The Adolescent, throughout)
Russian-Orthodox spiritual framework — Makar Dolgoruky as wandering saint.
"The wandering pilgrim Makar — Russian-Orthodox spiritual ideal." (The Adolescent, Part III)
Proto-existentialist exploration of the search for an 'idea'.
"I have my idea — to become a Rothschild." (The Adolescent, Part I, ch. 5)
Humanist meditation on fathers, sons, and inherited identity.
"The accidental family — the great theme." (The Adolescent, conclusion)
Internal Tensions
Dostoevsky's fourth great novel — less famous than the surrounding three but a major Bildungsroman. Often the least-discussed of the major novels in Anglophone scholarship; the Makar Dolgoruky figure has been continuously cited as anticipating Zosima in The Brothers Karamazov.
I. Time
1874-75 composition; serialised 1875; book 1876. Dostoevsky was 54.
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II. Space
St Petersburg — the novel's setting, and Dostoevsky's residence during composition. The geographical-cultural space is the post-emancipation, post-1860s-reform Russian capital, with its mix of impoverished gentry, rising bourgeoisie, and revolutionary student-intelligentsia.
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III. Matter
Long novel in three parts (~600 pages in modern editions). Form is first-person retrospective narration: the older Arkady looking back on the events of his nineteenth year.
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IV. Observer
Late Dostoevsky. The observer-novelist is the established author of Crime and Punishment, The Idiot, and Demons, working toward the final synthesis of The Brothers Karamazov.
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V. Energy
Late-novelistic energies. The novel combines Dostoevsky's characteristic philosophical-religious thematics with the technical experiment of sustained first-person narration by a young, unreliable narrator.
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VI. Information
Three-part novel. The Makar Dolgoruky sections (Part III) introduce one of Dostoevsky's most explicit Russian-Orthodox-spiritual figures.
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How The Adolescent resolves each dilemma
48 resolved positions across 4 dimensions · 9 unaligned.
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