The Rouse Psalter and Metrical Psalmody
The metrical psalms that became the Scottish Psalter.
Settled with deliberate latitude
Background
The Westminster Standards do not formally take a position on exclusive psalmody vs hymnody, but the Assembly's revision of Francis Rouse's metrical psalms had enormous practical consequences. Rouse had published *The Booke of Psalmes in English Meter* (1643), drawing on Sternhold and Hopkins (the 1562 English metrical psalter, in use for nearly a century) and on the work of Henry Ainsworth and George Sandys. The Long Parliament referred the work to the Assembly, which revised it extensively through 1645-46. The General Assembly of the Church of Scotland adopted a further revision in 1650 — the Scottish Metrical Psalter — which has been continuously sung in Scottish Reformed worship to the present.
The Assembly’s handling
The Assembly revised Rouse's Psalter line by line through 1645 and 1646 — perhaps the most labour-intensive single project at Westminster after the Catechisms. The committee chairs were John Lightfoot and Thomas Gataker, working with Rouse himself. The 1646 revision was published as *The Psalms of David in Meeter* and adopted by the Long Parliament for use in English parishes. The Scottish General Assembly's further revision in 1650 produced the Scottish Metrical Psalter, the definitive form. The Westminster Standards never formally legislate exclusive psalmody, but the labour the Assembly put into the Psalter and the prominence of the Directory's prescription of psalm-singing made metrical psalmody the standard Reformed worship practice for two centuries.
Parties
The Assembly's metrical-psalmody consensus
The Psalms are God's own hymnbook, given for the worship of the church; their metrical rendering for congregational singing is the proper Reformed psalmody.
- John Lightfoot (1602–1675)
- Thomas Gataker (1574–1654)
- Francis Rouse (1579–1659)
- William Gouge (1575–1653)
- Edward Reynolds (1599–1676)
Confessional language
Directory for the Public Worship of God (1645): 'It is the duty of Christians to praise God publicly, by singing of psalms together in the congregation, and also privately in the family.'
Ontology placement
This crux bears on the following attribute of the Westminster ontology. The Westminster baseline value is marked WCF.
VII · Ecclesiology & Worship · Regulative Principle
Legacy
The Scottish Metrical Psalter (1650) has been sung in Scottish Presbyterian worship continuously since adoption — Psalm 23 in its metrical setting ('The Lord's my Shepherd, I'll not want') is among the best-known religious lyrics in the English language. Isaac Watts's *Hymns and Spiritual Songs* (1707) and *The Psalms of David Imitated* (1719) introduced hymn-singing and a paraphrasal psalmody that gradually displaced metrical psalmody in English-speaking Reformed worship through the 18th and 19th centuries. The Reformed Presbyterian tradition and the Free Church of Scotland (Continuing) retain exclusive metrical psalmody.
References
- Directory for the Public Worship of God (1645)