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Work #1724

Characters

Theophrastus
c. 319 BCE · Attic Greek
Prose character sketches (30 brief essays) · Peripatetic ethics / literary character-writing

The flatterer, the boor, the cheapskate: Aristotelian virtue theory applied to the observation of everyday life

Attribute Fingerprint

Rows where works disagree are highlighted in gold. The full ontology grid is shown.

Attribute Characters
Time · Extent Infinite
Time · Ontological Status Relational
Time · Grain Continuous
Time · Freedom Non-Deterministic
Time · Traversability Linear
Time · Dimensionality One
Time · Direction Uni-directional
Space · Extent Finite
Space · Ontological Status Relational
Space · Curvature not engaged
Space · Dimensionality Three
Space · Locality Local
Matter · Extent Infinite
Matter · Ontological Status Substantival
Matter · Conservation Conserved
Matter · Dimensionality Three
Matter · Locality Local
Observer · Time Instance Single
Observer · Space Instance Single
Observer · Knowledge Extent Immediate
Observer · Knowledge Retainment Total
Observer · Physicality Embodied
Observer · Agency Active
Observer · Number Plural
Observer · Metaphysical Agency None
Observer · Moral Authority Reason
Observer · Theological Method N/A
Energy · Extent not engaged
Energy · Ontological Status Relational
Energy · Conservation Conserved
Energy · Dispersibility not engaged
Information · Ontological Status Relational
Information · Cosmic Conservation Conserved
Information · Personal Conservation Non-conserved
Information · Granularity not engaged

Dimension-by-Dimension Evidence

What each work's passages reveal about its stance on each of the six dimensions.

Time

Characters

The Characters assumes that character-types are stable across time — the Flatterer and the Boor exist in every generation. This reflects the Aristotelian view that human nature has a fixed structure. Time is the medium in which character reveals itself through habitual action.

Space

Characters

Space is the concrete Athenian social world: the agora, the baths, the dinner party. The Characters shows that Peripatetic ethics is grounded in particular places and social situations.

Matter

Characters

The Characters does not philosophise about matter directly, but its method — careful observation of material behaviour — presupposes the Aristotelian hylomorphic framework: the soul (form) is manifest in the body's actions (matter).

Observer

Characters

Theophrastus is the detached empirical observer, cataloguing human types with the same patient attention he brought to plants. The observer is embodied, active, and plural (the work assumes a shared social world). No metaphysical agency: the vices are natural human tendencies, not divinely caused.

Energy

Characters

Energy is not discussed. The Characters is an ethical, not a physical, work.

Information

Characters

The Characters is itself a technology of information conservation: it fixes ephemeral social observation in literary form. The moral types are universal (conserved across generations), but the individuals who instantiate them are not (personal information is not conserved).

Internal Tensions

Where each work's argument pulls against itself.

Characters

The Characters' main tension is between the universality it claims (these types exist always and everywhere) and the specificity of its evidence (these are Athenian behaviours in the late fourth century). A related tension: the sketches catalogue only vices, never virtues. Whether this is because vices are easier to observe, or because the corresponding "positive" half of the work is lost, or because Theophrastus intended the reader to infer the virtues by negation, remains debated.