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Work #1834

Poems and Laws (fragments)

Solon
c. 594–560 BCE · Attic Greek (elegiac and iambic metre)
Elegiac and iambic verse fragments; law code (attested in later sources) · Archaic Greek lyric poetry / Athenian legal tradition

Eunomia or dysnomia — the citizen-poet argues that only justice can save the city from itself

Attribute Fingerprint

Rows where works disagree are highlighted in gold. The full ontology grid is shown.

Attribute Poems and Laws (fragments)
Time · Extent Infinite
Time · Ontological Status Substantival
Time · Grain Continuous
Time · Freedom Non-Deterministic
Time · Traversability Linear
Time · Dimensionality One
Time · Direction Uni-directional
Space · Extent Infinite
Space · Ontological Status Substantival
Space · Curvature Implicit
Space · Dimensionality Three
Space · Locality Local
Matter · Extent Finite
Matter · Ontological Status Substantival
Matter · Conservation Conserved
Matter · Dimensionality Three
Matter · Locality Local
Observer · Time Instance Single
Observer · Space Instance Single
Observer · Knowledge Extent Immediate
Observer · Knowledge Retainment Fallible
Observer · Physicality Embodied
Observer · Agency Active
Observer · Number Plural
Observer · Metaphysical Agency Limited
Observer · Moral Authority Reason
Observer · Theological Method
Energy · Extent Finite
Energy · Ontological Status Substantival
Energy · Conservation Conserved
Energy · Dispersibility Irreversible
Information · Ontological Status Substantival
Information · Cosmic Conservation Conserved
Information · Personal Conservation Non-conserved
Information · Granularity Implicit

Dimension-by-Dimension Evidence

What each work's passages reveal about its stance on each of the six dimensions.

Time

Poems and Laws (fragments)

Linear and irreversible. The poems place Athens at a critical moment that can go one of two ways — eunomia or ruin — but the moment will not return. "I stood with a strong shield cast over both parties" (Fr. 36) — a single, unrepeatable act in historical time.

Space

Poems and Laws (fragments)

Athens, the agora, the courts, the farms of Attica. Space is concrete, local, and politically charged. The boundary-stones (horoi) marking mortgaged land are the spatial symbols of injustice that Solon removes.

Matter

Poems and Laws (fragments)

Debt, land, silver, grain — the material substrate of the social crisis. The seisachtheia cancels material obligations; the poems name material goods precisely because their maldistribution is the disease.

Observer

Poems and Laws (fragments)

Solon presents himself as a citizen-observer who stands between factions: "I gave the people as much privilege as was sufficient" (Fr. 5). Knowledge is practical and fallible — the divine is partly inscrutable.

Energy

Poems and Laws (fragments)

Civic energy: the labour of farmers, the greed of the wealthy, the force of factional violence. All finite and irreversible in their consequences for the city.

Information

Poems and Laws (fragments)

Written law is Solon's informational revolution: the axones (wooden tablets) publicise what was previously aristocratic oral custom. Law is conserved once inscribed. Personal memory does not outlast death: "Call no man happy until he is dead" (attrib. Herodotus 1.32).

Internal Tensions

Where each work's argument pulls against itself.

Poems and Laws (fragments)

The poems oscillate between confidence in human agency ("I stood with a strong shield") and deference to divine justice ("Zeus watches the end of all things"). Solon wants both: citizens must act, and the gods guarantee a moral order. Which is the real ground of justice — civic reason or divine dispensation? The fragments hold both without resolution.