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Work #402 · Late

Art as Experience

John Dewey
1934 (William James Lectures at Harvard, 1931) · English
Aesthetic philosophy · American pragmatism

Dewey's 1934 major aesthetic theory — art as the consummation of experience

Attribute Fingerprint

Rows where works disagree are highlighted in gold. The full ontology grid is shown.

Attribute Art as Experience (Late)
Time · Extent Infinite
Time · Ontological Status Substantival
Time · Grain Continuous
Time · Freedom Non-Deterministic
Time · Traversability Linear
Time · Dimensionality One
Time · Direction Uni-directional
Space · Extent Infinite
Space · Ontological Status Substantival
Space · Curvature Flat
Space · Dimensionality Three
Space · Locality Local
Matter · Extent Infinite
Matter · Ontological Status Substantival
Matter · Conservation Conserved
Matter · Dimensionality Three
Matter · Locality Local
Observer · Time Instance Single
Observer · Space Instance Single
Observer · Knowledge Extent Partial
Observer · Knowledge Retainment Total
Observer · Physicality Embodied
Observer · Agency Both
Observer · Number Plural
Observer · Metaphysical Agency None
Observer · Moral Authority Experience
Observer · Theological Method
Energy · Extent Infinite
Energy · Ontological Status Substantival
Energy · Conservation Conserved
Energy · Dispersibility Irreversible
Information · Ontological Status Substantival
Information · Cosmic Conservation Conserved
Information · Personal Conservation Conserved
Information · Granularity Continuous

Dimension-by-Dimension Evidence

What each work's passages reveal about its stance on each of the six dimensions.

Time

Art as Experience

The temporal flow of aesthetic experience.

Space

Art as Experience

The aesthetic space of artwork-experience.

Matter

Art as Experience

The material artwork and the embodied perceiver.

Observer

Art as Experience

The aesthetically experiencing person.

Energy

Art as Experience

Energies of qualitative-aesthetic experience.

Information

Art as Experience

Pragmatist-aesthetic framework.

Internal Tensions

Where each work's argument pulls against itself.

Art as Experience

Dewey's pragmatist aesthetics in continuing dialogue with formalist and analytic aesthetics.