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Work #209 · Mid (between The Stranger and The Rebel)

The Plague

Albert Camus
1947 · French
Novel in five parts · French absurdism / post-war existentialist literature

A plague outbreak in the Algerian city of Oran — allegory of Nazi occupation, meditation on solidarity under absurdity. "There are more things to admire in men than to despise"

Attribute Fingerprint

Rows where works disagree are highlighted in gold. The full ontology grid is shown.

Attribute The Plague (Mid (between The Stranger and The Rebel))
Time · Extent Infinite
Time · Ontological Status Substantival
Time · Grain Continuous
Time · Freedom Non-Deterministic
Time · Traversability Linear
Time · Dimensionality One
Time · Direction Uni-directional
Space · Extent Infinite
Space · Ontological Status Substantival
Space · Curvature Flat
Space · Dimensionality Three
Space · Locality Local
Matter · Extent Infinite
Matter · Ontological Status Substantival
Matter · Conservation Conserved
Matter · Dimensionality Three
Matter · Locality Local
Observer · Time Instance Single
Observer · Space Instance Single
Observer · Knowledge Extent Partial
Observer · Knowledge Retainment Total
Observer · Physicality Embodied
Observer · Agency Both
Observer · Number Plural
Observer · Metaphysical Agency None
Observer · Moral Authority Experience
Observer · Theological Method
Energy · Extent Infinite
Energy · Ontological Status Substantival
Energy · Conservation Conserved
Energy · Dispersibility Irreversible
Information · Ontological Status Substantival
Information · Cosmic Conservation Conserved
Information · Personal Conservation Conserved
Information · Granularity Continuous

Dimension-by-Dimension Evidence

What each work's passages reveal about its stance on each of the six dimensions.

Time

The Plague

The long temporal duration of the plague — months of quarantine — as the medium of sustained solidarity.

Space

The Plague

The quarantined city of Oran as the bounded space of the shared crisis.

Matter

The Plague

The embodied medical reality of plague — sick bodies, the bodies of caregivers — as the substrate of the novel's ethics.

Observer

The Plague

The plural witnesses to the plague — Rieux, Tarrou, Rambert, Grand — as the collective observers. Embodied, both active and passive. No metaphysical framework imposed.

Energy

The Plague

The energies of solidarity and care, sustained against the indifferent destructive energies of the plague.

Information

The Plague

The chronicle of the plague preserved by Rieux as the witness; the novel itself as the preserved memory.

Internal Tensions

Where each work's argument pulls against itself.

The Plague

The novel's allegorical character has been criticised by some as too easy — the German occupation was not, after all, a natural disaster but human evil with identifiable perpetrators. Camus's post-war ethic of solidarity has been criticised by Marxists (Sartre famously broke with Camus over The Rebel, 1951, partly over this difference) as too apolitical, too reformist. The novel's treatment of the colonial Algerian setting has been complicated by post-colonial criticism (Edward Said), though The Plague is less open to this critique than The Stranger.